David Bailey weds Catherine Deneuve

1 February 2010

Angus McBean 1.2











































































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Angus McBean 8 June 1904 - 9 June 1990
McBean was born in Newbridge, Monmouthshire, the son of a coal mine surveyor. He bought his first camera - a 2½ x 3½ inch autographic Kodak - and tripod as World War I was ending. Fascinated by the apparently magical properties of photography, he wanted to be able to take pictures of people and sold a gold watch left to him by his grandfather to raise the five pounds necessary for the equipment.
In 1925, after his father's early death, McBean moved with his mother and younger sister to London. He worked for Liberty's department store in the antiques department learning restoration, while his personal life was spent in photography, mask-making and watching plays in the West End theatre.
There were in effect two periods to McBeans career, his pre- and post-war phases. Pre-war he was a lot more confident in himself and experimented successfully with surrealism, indeed his work with the likes of Vivien Leigh are some of the most accessible surrealist photographic images known. Post war he reverted to a more regular style of portraiture photography, nearly always working with the entertainment and theatre profession.
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  1. Mr Steve4 March 2010 at 13:29

    Hi
    Again can you write what you think about this work, thoughts and ideas you have about it need to be written down.
    to meet the criteria

    steve

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Techniques, materials and resources used for portrait photography 1.1

There are many different formats and techniques that can be applied to portrait photography.

Framing is a technique where by you draw attention to one element of an image by framing it with another element of the image. This gives an image depth and draws the eye to a point of interest in the image.
You could do it by placing your subject in a window or doorway, have them look through a small gap or even use their hands around their face.

Shooting with a wide angle lens attached to your camera can help create some memorable shots when you’re doing portrait photography.
At very wide focal lengths you can create some wonderful distortion. Using these focal lengths will enlarge parts of the face or body that are on the edge of the frame more than what is in the centre.
It can also give a wide open and dramatic impact when your subject is in an impressive setting.

The person in your portrait is the main point of interest – however sometimes when you place them into different contexts with different backgrounds you can dramatically alter the mood in a shot.

Having parts of a portrait in focus draws attention on certain parts of the face or body, or a completely unfocused portrait can add a dreamy effect and make a picture quite abstract.

Black and white portraits can be just as dramatic as colour. By adding a shot of colour can draw attention to certain parts of the photo.
"When we shoot in color, we do not depart from what we see everyday, so our eye expects certain details in order to fill out the image. Black and white photography gives us the opportunity to diverge from this norm, and in a way view reality as an abstraction."

Equipment I have at home and what is avaliable to me at college 1.1

I have at home the Canon 450d camera which comes with the standard 18-55mm lens.


At college there is a wide range of lenses avaliable to use along with higher quality cameras. There is a studio which contains a wide range of backdrops, studio lights, reflectors and soft box.

Canon 450D

Canon 450D

Canon 450d

This is the camera which I have started out with, the basic entry level canon 450d.  For specification details click on the image.
I don't really have any experience of digital SLR's, the only cameras I have used previously are point and shoot digital and film SLR's.  
I don't have an opinion on my camera yet as I haven't really used it enough to comment other than I find it fairly easy to use and understand. 

Standard 50mm lens

What makes this lens ideal for portriture is its angle-of-view is the closest to our own eyes and the easiest to use to get the most natural looking shots. You can even visualise shots without putting the camera to your eye. This doesn’t mean this lens is boring compared to the extremes that a telephoto or wide-angle will give. On the contrary, it’s just a lens that works well and keeps your photography simple. It is also ideal, as long as you remember not to get too close to your subject, which will lead to unflattering distortion to your sitters face. It works especially well with full-length portraits, but you can get some very nice head and shoulder shots.

Standard 50mm lens

70-200mm Lens

The telephoto lens allows you to take tightly composed pictures of subjects where it is impractical to get any closer and to use a wider lens, therefore they are useful for candid photography, this lens is small, lightweight and unobtrusive.
Short telephoto focal lengths are widely used in portraiture for their unnatural, non standard view makes objects at different distances appear closer together than they are in reality. Using a wide angle lens for head and shoulder close ups makes people's noses and other facial features more prominent - while a slight telephoto focal length flattens the features a touch, to give a more flattering result.
Telephotos are also useful in portraiture because when used with largish apertures, it is easy to throw a background out of focus thus drawing the viewers attention to certain parts of the scene.

70-200mm lens f/2.8 IS